I learn the hard way.....

Now I really should know better. I’m the bloke who is paranoid about backing up Computers, Images, Databases, Emails…. everything really.

But we all drift off the right track sometimes, don’t we?

My latest excursion off the straight and narrow was at the weekend.

I was trying to write a new Blog. This is something that rarely produces anything of note. They are usually just links to the latest Galleries or they only feature my bland comments. I know my limitations!

However last Sunday afternoon whilst writing a new Blog I felt inspired (in my dreams, eh)!

I’d added a Gallery that featured some shots I’d taken of the Guernsey Snooker Masters Finals at the Gremlin Club.

As I was editing the pics I was remembering how difficult the sport can be to capture pics of.

Now you have to remember that I photograph many, many different Sports. I should be used to whatever challenge each one throws up. But when analyzing my Sports shoots there is a trend… most Sport photography is about split second timing. Nothing unexpected there. Then the environment is usually noisy and the play is fast paced. The skill is in being able to follow the action, anticipate the moves, make sure you are in the best place to see the highlights and keep your concentration.

It was with those thoughts in mind that I was intrigued by how different the skills need to be when photographing some Sports. As I mentioned above I was completing an edit of an important Snooker competition.

I’ve photographed Snooker several times before and you soon realize that being in the ‘arena’ and trying to work is unlike most ‘playing fields’.

A photographer is at risk of ‘getting in the way’ and distracting players as they make frame winning shots. There is no doubt that a photographer will soon be asked to leave if they interrupt the hush with a CLATTER. CLATTER just as a player lines up a crucial shot.

Also a photographer must not, cannot, move around trying to find ‘their’ perfect composition. That movement might again distract and influence play. The important work is being done by the players, ideally a photographer should not be seen or heard, we are very low in the pecking order!

So Snooker is nothing like most Sports to photograph… and I haven’t even mentioned the lighting. OK the table might be brightly lit but there is usually a difficult green colour cast from the baize and the ‘background’ of the room is often as black as a coal mine.

All problems added together it is a great help if a photographer can enroll a little assistance from modern technology. I did this at the Masters Snooker.

But firstly, getting back to how I started this Blog. I’d spent quite some time writing a text on this theme (I’ve already said that words don’t flow easily for me) when my wife called me for the evening meal. I was disappointed to break the flow of ideas but the aroma of roast beef saw me step away from the creative process. The plan was to let the PC go to ‘sleep’. I would simply continue from where I was after the meal. There was even a chance that a couple of glasses of red wine would lubricate the creative juices. However when I returned I discovered that all those wonderful words had somehow disappeared. I was raging… the work was awesome, inspiring, wise and could have changed a generations ideas about photography, ha,ha!

Could I ever articulate such wisdom again? Of course not. That’s why this is all you get to read!

Back to the storyline ….

You will remember that I was limited to the dark confines of a Snooker room with little control of what I could do to give myself any sort of advantage to get the shots. Oh I forgot to mention that I’d only been assigned a short time to get the shots before moving on to the next assignment… a rugby game. No problem taking pics of that Sport! The pressure was on!

So I used experience from previous Snooker shoots to decide that one of Nikon’s latest cameras might help me out. I’ve owned a Nikon Z7 from the day it first went on sale. I was immediately impressed with the quality of files it produces, the detail and dynamic range are as good as it currently gets. But I confess that it is rarely taken out of my bag as mirror-less technology really can’t yet match Pro level DSLR cameras when it comes to photographing fast action. For how long? Who knows as I’m sure the Nikon ‘Z’ range will quickly develop into an ‘all-round’ system. Watch this space.

But as the saying goes… ‘you should always use the right tool for the job’ and maybe I’ve found the perfect one for photographing Snooker. My Z7 stepped up to the mark big time. The dynamic range of the RAW files enabled me to edit for the lights and darks and the colour cast could be balanced with ease. Also the completely silent shutter allowed me to capture moments of play that my D5’s shutter clatter would have got me chucked out. There is a gallery online where you can view a few of my latest Snooker pics. Click the link below.

To summarize. This Blog has become an extended ramble as I made an attempt to re-write my thoughts. The points to note are:

1: Always backup your work as you go along. You don't want to lose your words of wisdom!
2: Don’t allow yourself to be distracted by the aroma of roast beef.
and
3: Always use the right tool for the job!
CLICK TO VIEW PICS OF THE GUERNSEY SNOOKER MASTERS